



We’ll be the first to admit, we’re Mercedes apologists and we were eagerly anticipating the debut of the latest and greatest from Stuttgart. This time it came in the form of the F800, a research design study that really speaks to the current direction of the brand. While some seem to think the F800 is a precursor to the next-generation CLS, we think it’s more likely that the CLS would merely borrow from a few design successes of the F800. The vehicle itself was lent a few things from existing Benz models, with the C-Class pug nose and the heroic, single-bar grille found on the SLS, among others. The headlamps certainly scream CLS, and with LED-mania still in full swing it stands to reason that we could be looking at the newest iteration of Mercedes lights. The rear of the car is not traditional Benz; the rear lights have migrated from the top of the trunk and are now oblong, bearing a resemblance to several current Jaguar lights. The F800 has also jumped on the oversized exhaust-port bandwagon, which is typically a sleek look but on this model looks too chunky and futuristic. The car really shines from the side, however; the beltline fades in and out at the rear doors, which is a truly terrific look. The rising line from the bottom of the front doors (a look copied on both luxury and economy cars these days) continues seamlessly onto the rear bumper and integrates very well into the overall design of the car.
"I didn't want to wait until Per Arnoldi dies to celebrate his life. The clever Danish poster maker is way more than a teacher to me, looking at his work is like going to school for the first time, you're scared and afraid but you know you're going to learn tons and have fun in the process. Some of his solutions are repetitive and formulaic, whether intended or otherwise, but you forgive him because he is so prolific and he hits more often than he misses. His clarity of thought comes trough his clean and elegant ideas, where less is always more; The cliché, the obvious and deceptively simple solution to a complex design problem, that is not so obvious to most until he implements it, the masterful use of a flat & very limited primary palette which he wields about like a toddler with a full set of crayola crayons, always true to the Bauhaus tradition. I raise my corona bottle to you, Per!"
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Process Junkie
When the Air Max 180’s dropped with their Easter color way a few years back they were a pretty cool release but it was hard for certain people to get behind them due to the pastel nature of their upper. Well in a great turn of events it looks like the shoe has dropped in a similar feeling color way that isn’t nearly as blatant.
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To see all of our favorite watches from this year's Baselworld convention, check out Ones to Watch.